Book description
“What an achievement, these sixty years of poetry! In whatever terms we Americans regard the rest of our recent history, the score of things done well and done ill, this much at least we have done superlatively.”—Hayden Carruth This famous anthology includes the works of more than 130 major American poets of the modern period—Robert Frost, Paul Goodman, Carl Sandburg, T.S. Eliot, Ezra Pound, Allen Ginsberg, and Gwendolyn Brooks among them—along with short biographies of each. “Not only the best on its period, I think, but is even perhaps safe from the competition of rivals.”—Robert Lowell
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President Trump and the modern right have a theory of beauty. You see it in Trump’s gilded Oval Office, his imagined arch and his executive order requiring classical and traditional styles for certain federal buildings.
This isn’t my theory of beauty, but it is a theory. And it’s a response, in part, to something that a lot of people have been feeling, and not just on the right: that the modern world is ugly, or getting uglier.
I’ve seen at least a dozen articles or videos over the last few years asking, “Is the world getting uglier?” They point to the drabness of new apartment blocks, the sameness of new cars and the reign of “greige” in homes and fashion.
So I’ve wanted to do an episode on this for a while. Why does the world seem to be getting uglier, or drabber? And at a moment when the right has a clear answer to this feeling, does the left have any answer at all?
Debbie Millman teaches at the School of Visual Arts in New York City and hosts the long-running podcast “Design Matters,” where she talks to creative people about design. In her long career as a brand designer, she revamped the logos for companies like Burger King, 7 Up and Häagen-Dazs. She’s also written a number of books on design, and recently wrote an article for Time magazine, “Is the World Getting Uglier?”
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Debbie Millman
Oct. 2, 2026
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