President Trump and the modern right have a theory of beauty. You see it in Trump’s gilded Oval Office, his imagined arch and his executive order requiring classical and traditional styles for certain federal buildings.  This isn’t my theory of beauty, but it is a theory. And it’s a response, in part, to something that a lot of people have been feeling, and not just on the right: that the modern world is ugly, or getting uglier.  I’ve seen at least a dozen articles or videos over the last few years asking, “Is the world getting uglier?” They point to the drabness of new apartment blocks, the sameness of new cars and the reign of “greige” in homes and fashion.  So I’ve wanted to do an episode on this for a while. Why does the world seem to be getting uglier, or drabber? And at a moment when the right has a clear answer to this feeling, does the left have any answer at all?  Debbie Millman teaches at the School of Visual Arts in New York City and hosts the long-running podcast “Design Matters,” where she talks to creative people about design. In her long career as a brand designer, she revamped the logos for companies like Burger King, 7 Up and Häagen-Dazs. She’s also written a number of books on design, and recently wrote an article for Time magazine, “Is the World Getting Uglier?”

It’s been remarkable watching the Democratic Party act like a political party this past month — a party that makes decisions collectively, that does hard things because it wants to win, that is more than the vehicle for a single person’s ambitions. But parties are made of people. And in the weeks leading up to President Biden’s decision to drop out of the race, it felt like the Democratic Party was made of one particular person: Nancy Pelosi. Two days after Biden released a forceful letter to congressional Democrats insisting he was staying in the race, the former speaker went on “Morning Joe” and cracked that door back open. And Pelosi has pulled maneuvers like this over and over again in her political career. When an opportunity seems almost lost, she simply asserts that it isn’t and then somehow makes that true. Sometimes it seems like Pelosi is one of the last people left in American politics who knows how to wield power. Pelosi has a new book, “The Art of Power: My Story as America’s First Woman Speaker of the House,” and I wanted to talk to her about her role in Biden’s decision to drop out and what she’s learned about power in her decades in Congress.