The publication of Victor Klemperer's secret diaries brings to light one of the most extraordinary documents of the Nazi period. "In its cool, lucid style and power of observation," said The New York Times, "it is the best written, most evocative, most observant record of daily life in the Third Reich." I Will Bear Witness is a work of literature as well as a revelation of the day-by-day horror of the Nazi years. A Dresden Jew, a veteran of World War I, a man of letters and historian of great sophistication, Klemperer recognized the danger of Hitler as early as 1933. His diaries, written in secrecy, provide a vivid account of everyday life in Hitler's Germany. What makes this book so remarkable, aside from its literary distinction, is Klemperer's preoccupation with the thoughts and actions of ordinary Germans: Berger the greengrocer, who was given Klemperer's house ("anti-Hitlerist, but of course pleased at the good exchange"), the fishmonger, the baker, the much-visited dentist. All offer their thoughts and theories on the progress of the war: Will England hold out? Who listens to Goebbels? How much longer will it last? This symphony of voices is ordered by the brilliant, grumbling Klemperer, struggling to complete his work on eighteenth-century France while documenting the ever- tightening Nazi grip. He loses first his professorship and then his car, his phone, his house, even his typewriter, and is forced to move into a Jews' House (the last step before the camps), put his cat to death (Jews may not own pets), and suffer countless other indignities. Despite the danger his diaries would pose if discovered, Klemperer sees it as his duty to record events. "I continue to write," he notes in 1941 after a terrifying run-in with the police. "This is my heroics. I want to bear witness, precise witness, until the very end." When a neighbor remarks that, in his isolation, Klemperer will not be able to cover the main events of the war, he writes: "It's not the big things that are important, but the everyday life of tyranny, which may be forgotten. A thousand mosquito bites are worse than a blow on the head. I observe, I note, the mosquito bites." This book covers the years from 1933 to 1941. Volume Two, from 1941 to 1945, will be published in 1999.

One of the most powerful short-story writers of the twentieth century, Isaac Babel expressed his sense of inner conflict through disturbing tales that explored the contradictions of Russian society. Whether reflecting on anti-Semitism in stories such as " Story of My Dovecote " and " First Love ," or depicting Jewish gangsters in his native Odessa, Babel’s eye for the comical laid bare the ironies of history. His masterpiece, " Red Cavalry ," set in the Soviet-Polish war, is one of the classics of modern fiction. By turns flamboyant and restrained, this collection of Babel’s best-known stories vividly expresses the horrors of his age. This translation is based on the complete, original text taken from an unexpurgated Russian edition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A National Bestseller “A modern classic, one we very much need right now.” –George Saunders From the acclaimed author of The Shepherd’s Life , a magical work of nonfiction in which James Rebanks reflects on a life-changing summer spent on a remote island off the coast of Norway, where his only companion was an old woman who practiced the ancient tradition of collecting eiderdown from birds that nest on this remarkable landscape each year We are all in need of lights to follow. One afternoon many years ago, James Rebanks met an old woman on a remote Norwegian island. She lived and worked alone on a tiny rocky outcrop, caring for wild Eider ducks and gathering their down. Hers was a centuries-old trade that had once made men and women rich but had long been in decline. Still, somehow, she seemed to be hanging on. Back at home, Rebanks couldn’t stop thinking about the woman on the rocks. She was fierce and otherworldly—and yet strangely familiar. Years passed. Then, one day, he wrote her a letter, asking if he could return. Bring work clothes, she replied, and good boots, and come quickly: her health was failing. And so he travelled to the edge of the Arctic to witness her last season on the island. This is the story of that season. It is the story of a unique and ancient landscape, and of the woman who brought it back to life. It traces the pattern of her work from the rough, isolated toil of bitter winter to the elation of the endless summer light, when the birds leave behind their precious down for gathering, like feathered gold. Slowly, Rebanks begins to understand that this woman and her world are not what he had previously thought. What began as a journey of escape becomes an extraordinary lesson in self-knowledge and forgiveness.