Walter J. Ong’s classic work provides a fascinating insight into the social effects of oral, written, printed and electronic technologies, and their impact on philosophical, theological, scientific and literary thought. This thirtieth anniversary edition – coinciding with Ong’s centenary year – reproduces his best-known and most influential book in full and brings it up to date with two new exploratory essays by cultural writer and critic John Hartley. Hartley provides: A scene-setting chapter that situates Ong’s work within the historical and disciplinary context of post-war Americanism and the rise of communication and media studies; A closing chapter that follows up Ong’s work on orality and literacy in relation to evolving media forms, with a discussion of recent criticisms of Ong’s approach, and an assessment of his concept of the ‘evolution of consciousness’; Extensive references to recent scholarship on orality, literacy and the study of knowledge technologies, tracing changes in how we know what we know. These illuminating essays contextualize Ong within recent intellectual history, and display his work’s continuing force in the ongoing study of the relationship between literature and the media, as well as that of psychology, education and sociological thought.

NATIONAL BESTSELLER • A NEW YORK TIMES BOOK REVIEW TOP TEN BOOK OF THE YEAR A WASHINGTON POST TOP TEN BOOK OF THE YEAR • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—“a time-spanning, genre-blurring work of storytelling magic” ( The Washington Post ) from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier . “With the expansiveness and immersive feeling of two-time Booker Prize nominee David Mitchell’s fiction ( Cloud Atlas ), the wicked creepiness of Edgar Allan Poe, and Mason’s bone-deep knowledge of and appreciation for the natural world that’s on par with that of Thoreau, North Woods fires on all cylinders.”— San Francisco Chronicle New York Times Book Review Editors’ Choice • A BEST BOOK OF THE YEAR: Time, The Boston Globe, NPR, Chicago Public Library, The Star Tribune, The Economist, The Christian Science Monitor, Real Simple, Kirkus Reviews, Publishers Weekly, Library Journal, Bookreporter When two young lovers abscond from a Puritan colony, little do they know that their humble cabin in the woods will become the home of an extraordinary succession of human and nonhuman characters alike. An English soldier, destined for glory, abandons the battlefields of the New World to devote himself to growing apples. A pair of spinster twins navigate war and famine, envy and desire. A crime reporter unearths an ancient mass grave—only to discover that the earth refuse to give up their secrets. A lovelorn painter, a sinister con man, a stalking panther, a lusty beetle: As the inhabitants confront the wonder and mystery around them, they begin to realize that the dark, raucous, beautiful past is very much alive. This magisterial and highly inventive novel from Pulitzer Prize finalist Daniel Mason brims with love and madness, humor and hope. Following the cycles of history, nature, and even language, North Woods shows the myriad, magical ways in which we’re connected to our environment, to history, and to one another. It is not just an unforgettable novel about secrets and destinies, but a way of looking at the world that asks the timeless question: How do we live on, even after we’re gone?

NEW YORK TIMES BESTSELLER Shortlisted for the Financial Times and Schroders Business Book of the Year Award One of The New Yorker 's Best Books of the Year • One of NPR's "Books We Love" of 2025 • A Financial Times Best Book of the Year • An August 2025 Next Big Idea Club Must-Read Book • One of Bookbub's Best Nonfiction of 2025 A riveting, firsthand investigation of China’s seismic progress, its human costs, and what it means for America. For close to a decade, technology analyst Dan Wang―“a gifted observer of contemporary China” (Ross Douthat)―has been living through the country’s astonishing, messy progress. China’s towering bridges, gleaming railways, and sprawling factories have improved economic outcomes in record time. But rapid change has also sent ripples of pain throughout the society. This reality―political repression and astonishing growth ―is not a paradox, but rather a feature of China’s engineering mindset. In Breakneck , Wang blends political, economic, and philosophical analysis with reportage to reveal a provocative new framework for understanding China―one that helps us see America more clearly, too. While China is an engineering state, relentlessly pursuing megaprojects, the United States has stalled. America has transformed into a lawyerly society, reflexively blocking everything, good and bad Blending razor-sharp analysis with immersive storytelling, Wang offers a gripping portrait of a nation in flux. Breakneck traverses metropolises like Shanghai, Chongqing, and Shenzhen, where the engineering state has created not only dazzling infrastructure but also a sense of optimism. The book also exposes the downsides of social engineering, including the surveillance of ethnic minorities, political suppression, and the traumas of the one-child policy and zero-Covid. In an era of animosity and mistrust, Wang unmasks the shocking similarities between the United States and China. Breakneck reveals how each country points toward a better path for the other: Chinese citizens would be better off if their government could learn to value individual liberties, while Americans would be better off if their government could learn to embrace engineering―and to produce better outcomes for the many, not just the few.

THE RUNAWAY NEW YORK TIMES BESTSELLER & ONE OF BARACK OBAMA’S FAVORITE BOOKS OF 2025 A NEW YORK TIMES TOP 10 BOOK OF 2025 ALSO NAMED A BEST BOOK OF 2025 BY NPR, VOGUE, TIME MAGAZINE, THE NEW YORKER , AND MORE “This is nonfiction that reads like fiction – the best kind. Elmhirst’s retelling is a triumph, second only to the seemingly impossible feat of Maurice and Maralyn themselves. You won’t be able to put it down.” – USA Today “Remarkable… I found myself, alternately, holding my breath as I read at top speed, wandering rooms in search of someone to read aloud to, and placing the book facedown, arrested by quiet statements that left me reeling with their depth.” – The New York Times “Such an emotionally vivid portrait of a couple in isolation that I was shocked it wasn’t fiction. How could a writer get so deeply into the minds of two real people in such extraordinary circumstances? … So brilliantly depicted.” – Elle “A beautiful meditation on endurance, codependence, and the power of love. A dazzling book.” – Patrick Radden Keefe “An enthralling, engrossing story of survival and the resilience of the human spirit.” —Bill Bryson An instant New York Times bestseller, this is the electrifying true story of a young couple shipwrecked at sea: a mind-blowing tale of obsession, survival, and partnership stretched to its limits. Maurice and Maralyn make an odd couple. He’s a loner, awkward and obsessive; she’s charismatic and ambitious. But they share a horror of wasting their lives. And they dream – as we all dream – of running away from it all. What if they quit their jobs, sold their house, bought a boat, and sailed away? Most of us begin and end with the daydream. But in June 1972, Maurice and Maralyn set sail. For nearly a year all went well, until deep in the Pacific, a breaching whale knocked a hole in their boat and it sank beneath the waves. What ensues is a jaw-dropping fight to survive in the wild ocean, with little hope of rescue. Alone together for months in a tiny rubber raft, starving and exhausted, Maurice and Maralyn have to find not only ways to stay alive but ways to get along, as their inner demons emerge and their marriage is put to the greatest of tests. Although they could run away from the world, they can’t run away from themselves. Taut, propulsive, and dazzling, A Marriage at Sea pairs an adrenaline-fueled high seas adventure with a gutting love story that asks why we love difficult people, and who we become under the most extreme conditions imaginable.

There are a lot of generic and unfocused “it’s the phones!” takes out there. In my opinion, Andrey Mir is the closest to offering a comprehensive, scientific characterization of society’s relationship to media. – Joseph Weisenthal, Bloomberg Andrey Mir’s The Digital Reversal , building on his recent series of books with pathbreaking analyses, is so far ahead of any other scholarly work in understanding what's going on in the media world, and hence the world per se, today, that it hurts even as it brilliantly elucidates. You want to know where we are and perhaps what to do? Read The Digital Reversal . – Paul Levinson, author of McLuhan in an Age of Social Media The future of the book is the blurb, said Marshall McLuhan. As the future arrives, this book is written in tweets—1,295 of them. Gathered in thread-chapters, they explore and explain what media evolution does to us. Cars help people get around faster. But when their use hits certain limits, their effect of speed and mobility reverses into traffic jams. And so it is with any medium: when it reaches its extremes or limits, it reverses its effect into the opposite. This is what we face now. Digital media have sped up human interaction with the world to its limit—instantaneity. No wonder everything is now reversing into its opposite, merging into one global, cataclysmic Digital Reversal. The abundance of signals reverses into noise. The abundance of facts reverses into fakes. Free access to self-expression leads to abuse by trolls and bad actors and reverses into censorship. The revolt of the public reverses into anarcho-tyranny. Text reverses into texting, and texting reverses print literacy into digital orality. Abstraction reverses into anecdotal evidence. Feelings reverse into intensities. Boosted by the overload of empathy, identity reverses into credentials. Journalism reverses into postjournalism. The overload of news reverses into news avoidance. Reading books reverses into asking the search box. Knowledge reverses into knowing. Academia flips into activism. Objective truth reverses into crowdsourced importance. Everything is media effects. In the digital era, the study of media effects is the study of reversals. Reversals are everywhere. Like verses in a saga, 1,295 tweets across 248 pages cover the development of media from orality to literacy and now in reverse—to digital orality. Also read other books by Andrey Mir — available on Amazon: - The Viral Inquisitor and Other Essays on Postjournalism and Media Ecology (2024) - Digital Future in the Rearview Mirror: Jaspers’ Axial Age and Logan’s Alphabet Effect (2024) - Postjournalism and the Death of Newspapers: The Media After Trump: Manufacturing Anger and Polarization (2020) - Human as Media: The Emancipation of Authorship (2014)

How have changes in media affected our everyday experience, behavior, and sense of identity? Such questions have generated endless arguments and speculations, but no thinker has addressed the issue with such force and originality as Joshua Meyrowitz in No Sense of Place . Advancing a daring and sophisticated theory, Meyrowitz shows how television and other electronic media have created new social situations that are no longer shaped by where we are or who is "with" us. While other media experts have limited the debate to message content, Meyrowitz focuses on the ways in which changes in media rearrange "who knows what about whom" and "who knows what compared to whom," making it impossible for us to behave with each other in traditional ways. No Sense of Place explains how the electronic landscape has encouraged the development of: -More adultlike children and more childlike adults; -More career-oriented women and more family-oriented men; and -Leaders who try to act more like the "person next door" and real neighbors who want to have a greater say in local, national, and international affairs. The dramatic changes fostered by electronic media, notes Meyrowitz, are neither entirely good nor entirely bad. In some ways, we are returning to older, pre-literate forms of social behavior, becoming "hunters and gatherers of an information age." In other ways, we are rushing forward into a new social world. New media have helped to liberate many people from restrictive, place-defined roles, but the resulting heightened expectations have also led to new social tensions and frustrations. Once taken-for-granted behaviors are now subject to constant debate and negotiation. The book richly explicates the quadruple pun in its title: Changes in media transform how we sense information and how we make sense of our physical and social places in the world.