An instant New York Times bestseller! NATIONAL BESTSELLER Something is deeply rotten at the Supreme Court. How did we get here and what can we do about it? Crooked Media podcast host Leah Litman shines a light on the unabashed lawlessness embraced by conservative Supreme Court justices and shows us how to fight back. With the gravitas of Joan Biskupic and the irreverence of Elie Mystal, Leah Litman brings her signature wit to the question of what’s gone wrong at One First Street. In Lawless , she argues that the Supreme Court is no longer practicing law; it’s running on vibes. By “vibes,” Litman means legal-ish claims that repackage the politics of conservative grievance and dress them up in robes. Major decisions adopt the language and posture of the law, while in fact displaying a commitment to protecting a single minority: the religious conservatives and Republican officials whose views are no longer shared by a majority of the country. Dahlia Lithwick’s Lady Justice meets Rebecca Traister’s Good and Mad as Litman employs pop culture references and the latest decisions to deliver a funny, zeitgeisty, pulls-no-punches cri de coeur undergirded by impeccable scholarship. She gives us the tools we need to understand the law, the dynamics of courts, and the stakes of this current moment—even as she makes us chuckle on every page and emerge empowered to fight for a better future.

NATIONAL BESTSELLER • A poignant, sharp-eyed, and bitterly funny tale of a family struggling to stay together in a country rapidly coming apart, told through the eyes of their wondrous ten-year-old daughter, by the bestselling author of Super Sad True Love Story and Our Country Friends “Pull up a beach chair: The book of the summer is here. . . . A poignant Harriet the Spy –esque delight.”— People (Book of the Week) “Genius . . . [a] miracle.”— The Washington Post “A novel you can read in one sitting that will stay with you forever.”—Karen Russell “Very funny, very sad, very sharp, and completely delightful.”—Elif Batuman “A brilliant fable about childhood, and so much more, in our broken country.”— Kirkus Reviews (starred review) “A must-read.” —Los Angeles Times “Shteyngart is one of the best comedians in literature today.”— BookPage (starred review) A MOST ANTICIPATED BOOK: The New York Times, Time, The Washington Post, The Boston Globe, Bustle, Vulture, Town & Country, Minneapolis Star Tribune, Book Riot, Publishers Weekly, Literary Hub, AV Club, Hey Alma The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of twenty-first-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage provide him pride of place in the newly forming American political order; and, above all, the young Vera, half-Jewish, half-Korean, and wholly original. Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in life: to make a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world. Both biting and deeply moving, Vera, or Faith is a boldly imagined story of family and country told through the clear and tender eyes of a child. With a nod to What Maisie Knew, Henry James's classic story of parents, children, and the dark ironies of a rapidly transforming society, Vera, or Faith demonstrates why Shteyngart is, in the words of The New York Times , "one of his generation's most exhilarating writers."

From the best-selling author of These Truths comes We the People , a stunning new history of the U.S. Constitution, for a troubling new era. The U.S. Constitution is among the oldest constitutions in the world but also one of the most difficult to amend. Jill Lepore, Harvard professor of history and law, explains why in We the People , the most original history of the Constitution in decades―and an essential companion to her landmark history of the United States, These Truths . Published on the occasion of the 250th anniversary of the nation’s founding―the anniversary, too, of the first state constitutions― We the People offers a wholly new history of the Constitution. “One of the Constitution’s founding purposes was to prevent change,” Lepore writes. “Another was to allow for change without violence.” Relying on the extraordinary database she has assembled at the Amendments Project, Lepore recounts centuries of attempts, mostly by ordinary Americans, to realize the promise of the Constitution. Yet nearly all those efforts have failed. Although nearly twelve thousand amendments have been introduced in Congress since 1789, and thousands more have been proposed outside its doors, only twenty-seven have ever been ratified. More troubling, the Constitution has not been meaningfully amended since 1971. Without recourse to amendment, she argues, the risk of political violence rises. So does the risk of constitutional change by presidential or judicial fiat. Challenging both the Supreme Court’s monopoly on constitutional interpretation and the flawed theory of “originalism,” Lepore contends in this “gripping and unfamiliar story of our own past” that the philosophy of amendment is foundational to American constitutionalism. The framers never intended for the Constitution to be preserved, like a butterfly, under glass, Lepore argues, but expected that future generations would be forever tinkering with it, hoping to mend America by amending its Constitution through an orderly deliberative and democratic process. Lepore’s remarkable history seeks, too, to rekindle a sense of constitutional possibility. Congressman Jamie Raskin writes that Lepore “has thrown us a lifeline, a way of seeing the Constitution neither as an authoritarian straitjacket nor a foolproof magic amulet but as the arena of fierce, logical, passionate, and often deadly struggle for a more perfect union.” At a time when the Constitution’s vulnerability is all too evident, and the risk of political violence all too real, We the People , with its shimmering prose and pioneering research, hints at the prospects for a better constitutional future, an amended America. 90 black-and-white illustrations