The world’s most famous work of horror fiction: a devastating exploration of the limits of human creativity. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Mary Shelley's timeless gothic novel presents the epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror. Based on the third edition of 1831, this Penguin Classics edition, with an introduction and notes by Maurice Hindle, contains all the revisions Mary Shelley made to her story, as well as her 1831 introduction and Percy Bysshe Shelley’s preface to the first edition. It also includes as appendices a select collation of the texts of 1818 and 1831 together with "A Fragment" by Lord Byron and Dr John Polidori’s "The Vampyre: A Tale." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A revelatory new annotated edition of the most translated Italian book in the world--the basis for two new major motion pictures: a Netflix animated version co-directed and co-written by Guillermo del Toro and voiced by Ewan McGregor, Cate Blanchett, and Tilda Swinton, and a Disney Plus live-action version directed by Robert Zemeckis and starring Tom Hanks, Cynthia Erivo, Joseph Gordon-Levitt, Lorraine Bracco, and Keegan-Michael Key A Penguin Classic Carved from a piece of wood by the old carpenter Geppetto, the puppet Pinocchio comes to life and immediately starts to misbehave. But while this beloved character has achieved literary immortality, the novel has been widely misunderstood. Pinocchio has a penchant for lying, to be sure, but it’s when he avoids going to school that he repeatedly gets into trouble. The Adventures of Pinocchio is thus not a cautionary tale about lying but an unusually timely fable for our increasingly authoritarian times--a story about the importance of education and of preventing others from pulling our strings. This effervescent new translation captures the antic spirit that makes the mischievous, egotistical, and easily distracted Pinocchio a late nineteenth-century prototype for the likes of Bart Simpson. Featuring copious annotations informed by the translators’ deep knowledge of Italy, it reveals the novel to be not only a subversively entertaining children’s book but also a sophisticated satire reflecting the author’s concern for the social inequality of his time and his belief that duty to others is at the core of our humanity. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Sylvia Plath´s second volume of poetry, Ariel, published posthumously in 1965, shocked and provoked reviewers with its unexpected intensity and power, and the publication of her Collected Poems in 1981 confirmed her as a poet of stature and maturity. Beginning with reviews of her initial collection, The Colossus, the reader is clearly guided through the profusion of critical material that has variously described Plath as feminine and feminist, personal and political, an American modernist and an English Romantic. The guide includes critical assessments from Robert Lowell, Sandra M. Gilbert, and Jacqueline Rose, among others.

A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER A NEW YORK TIMES BEST BOOK OF THE TWENTY-FIRST CENTURY: TOP TEN THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW ) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa―a fictional Juárez―on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.