Romance in Marseille (Penguin Classics)
by Claude McKay, Gary Edward Holcomb, William J. Maxwell
ISBN 13: 978-0143134220
Book description

The pioneering novel of physical disability, transatlantic travel, and black international politics. A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time. A Penguin Classic Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance.


Recommended on 1 episode:

The Subtle Art of Appreciating ‘Difficult Beauty’
When is the last time you paused — truly paused the flow of life — to appreciate something beautiful? For as long as we know, humans have sought out beauty, believing deeply that beautiful things and experiences can enhance our lives. But what does beauty really do to us? How can it fundamentally alter our experience of the world? Beauty is always “teaching me something about my own mind,” says the writer and philosopher Chloé Cooper Jones. In her book, “Easy Beauty,” Jones takes readers on a journey across the globe and into her intimate family life to explore what beauty has done for her and what it can potentially do for all of us. At the core of Jones’s book — and of this conversation — is a distinction between two radically different kinds of beauty. On the one hand, there’s “easy beauty”: a Renaissance painting, a sunset, a deliciously prepared meal. Easy beauty includes the kinds of things we are taught to consider beautiful. But Jones argues there’s also a deeper form of beauty — a “difficult beauty,” which can be found in places that may initially strike us as mundane, messy, even ugly. That is, if we clear the space within our own minds long enough to look for it. This conversation also explores how Jones’s relationship to her disabled body has changed over time, what it means to appreciate the physical world more fully, how all of us are affected by our society’s crushing physical beauty standards, how Jones has created a “neutral room” in her mind to cope with those difficult standards, what attending a Beyoncé concert taught her about “radical presence,” what a celebrity party Peter Dinklage attended revealed about how far we need to go in respecting different bodies, why it is worth it to “make friends” with the idea that we may all become disabled or incapacitated at some point, how children reflect and reveal parts of ourselves we didn’t even know existed, what advice she has for those of us who spend very little time considering beauty but could benefit from it as Jones has, and more.
Chloé Cooper Jones Sept. 6, 2022 3 books recommended
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by @zachbellay